AZEALIA BANKS sings, raps and makes suggestively offensive noises on her track 212 featuring LAZY JAY. It’s all flirting and fighting, sex and threats, but that works for me. Notice the heavy drum-n-bass techniques applied to hip-hop production. What a fantastic mix mash of styles, which somewhat remind me of THE CLIPSE’s agressive synth beats.
No, it’s not duck season or rabbit season. Rather, it’s time to sample Tex Avery cartoons and apply some super massive dubstep drops to the Elmer Fudd and his trigger-happy self. MISSHIN rocks the remix with style and grace. Z-Props to whoever re-edited the animation. This track bangs like a 30 foot gong.
Glitch-Hop is a funny little label for such a diverse genre of music. TORO Y MOI do a fantastic job applying a’80s R&B persona to the new glitchy category based on heavy crossfade action with manically altering beats and truncated samples. Very danceable stuff.
TWO DOOR CINEMA CLUB, like a lot of pop rock, sound great when remixed as dnb or dubstep. Again, already great tracks live an extended life when the YouTube musical democracy gets at it. Rude internet trolls don’t always have the best taste in music, still the voting remix/mashup community can really critique and even encourage new beats. Listen to FEED ME’s remix of “What you Know.”
First of all, I love KID CUDI’s production, which is not all hiphop nor all R&B. mixed in are vocals from Canadian rapper DRAKE, who sings over hooks like a character from Peter Pan. I’m more than a fan of this remix, therefore I had to make an alternative music video using the timeless animation of UB IWERKS, whose proto-Disney character FLIP THE FROG inspired the design of MICKEY MOUSE, long before Disney was a known brand. The eye design and walk cyclce came directly through the character FLIP, making UB IWERKS the originator of the Disney style, meanwhile his name gets scrubbed from the title cards of early Disney cartoon shorts. Know your animation roots.
@Accordion27 Thought that western was called something like CLINT NEVADA'S LONER or perhaps CLINT BUYS A GARISH HAT (starring George Martin) @ThinkZombie
Greatest face-punching saloon brawl since forever resides in THERE'S A NOOSE WAITING FOR YOU, TRINITY (1972) now with 42% more Klaus Kinski. @ThinkZombie
Dig the cinematic funk/jazz soundtrack for HAYWIRE. Classic style score and retro shooting style really work. #VivaSoderbergh@ThinkZombie
GALAXINA -- silly satire ripping on STAR WARS, ALIEN, 2001: A SPACE ODYSSEY and BARBARELLA. Love the fake future commercials. "Space honky!" @ThinkZombie
"The only cure for laziness is to be filled with the life of God," says the religious propaganda in my work's kitchen: http://t.co/F8n1iJET@ThinkZombie
"Nick of Time" - philosophically intriguing TWILIGHT ZONE episode on freewill with William Shatner, based on a Richard Matheson short story. @ThinkZombie
Psycho-stalker KILLER'S MOON (1982) contains dangerous mental patients on LSD, vulnerable girls choir, random heartbeats, a good soundtrack. @ThinkZombie
"Beware of gods in empty places." --Shot on video APPOINTMENT WITH FEAR is a hot mess of 1980s style. More paranoid than Lynch. So quotable! @ThinkZombie
I love early film and special FX history, but Martin Scorsese's HUGO feels flat, dogmatic, forgettable. Ali G trips, falls all French-like. @ThinkZombie
Today a man stopped me to ask if I would take a photo of him and his sick dog on the poor animal's last day to live. I love good pet owners. @ThinkZombie
@tenchi24 Those Jezebel gang girls are some serious thugs! I like the mixed messages on independence and relationships. @ThinkZombie
Thanks @larsalamo for exposing me to SWITCHBLADE SISTERS (1975) aka THE JEZEBELS on 35mm film. Robbie Lee is such a charmer! #bestspoitation@ThinkZombie